The centrality of the
role of the ball to Regency society is highlighted by the well-known Janeian
researcher, Deidre le Faye, in her foreword to this guide to such assemblies,
as presented in all of Jane Austen’s six novels, and as experienced in her own
life, and recounted in her letters to her sister, Cassandra. In addition, Fullerton
has, according to le Faye, “studied all mentions of dances in the novels to
show how they advance the plot as well as adding to the skilful betrayal of the
nature and motives of some of the characters in the tale.”
Not only, in fact, does Fullerton describe the
significance of such occasions, which enabled young people of the time to meet
together on their best behavior and in their finest dress in an extravagant
form of courting ritual, as Austen herself wrote about them, but also how such
grandiloquent events have been portrayed in the filmed versions of Austen’s
work (to which Fullerton devotes an entire chapter). One aspect of A Dance with Jane Austen: How a Novelist and her Characters Went to the Ball (Frances
Lincoln Ltd.; ISBN-13:
978-0-7112-3245-7) that I did find rather scanty was the two-page index, which I felt could have
been more fleshed out with the names of the characters involved, especially as
their attitude towards dance, and all that it entailed (including mannerisms
and dress), is so revelatory to their own development in the novels. How the
protagonists choose to comport, and disport, themselves, within the strict
confines of the rules of etiquette holding sway over such gatherings reflects
the way in which they relate to the outside world. The author, consequently,
pays great attention to discussing what the rules of the day were, and shows how
woe betide anyone who flaunted them—such was taken as a lack of breeding, and
as a very poor show of character!
Fullerton, as the president of the Jane Austen Society
of Australia, has plainly gone to considerable lengths to explore the minutiae
of leading aspects of the ball (including transport arrangements and culinary
feasting), within the context of Regency society. The multiple illustrations
are colorful and represent the various aspects of such assemblies with great
vividness and alacrity. For young people especially, many of whom are required
to study at least one of Austen’s novels at school and college, A Dance with Jane Austen should provide
both an instructive, and an enjoyable, glimpse into the world of the Regency
period.
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